No one loves a good zombie saga more than I do, but is it just me or did last night's season two premier of
Walking Dead seem just a bit flogged? Those "intense moments of sociological sparring" in between zombie threat and gag-me-with-a-spoon gross-out that have so many critics applauding just had me yawning and wishing I wasn't on hiatus from alcohol.
And when I get bored, I start watching for holes in the plot. Any little thing will do, but last night I didn't have to look too closely.
1. I realize the merry band of survivors have to hit the road in search of a safer place to try and reconstruct some semblance of normalcy, but who on earth allowed Daryl to do it on a chopper the size of a small jet engine that sounds just like one, too? Seriously. If stealth is a concern, then someone should have ixnayed his zombie-brained choice from the get-go. And, besides, who on earth can keep their arms up for that long? A chopper is a conceit, not a long term method of transport.
2. Yeah, yeah, we're supposed to believe for one second that the little girl purposefully left the spot under the riverbank where Rick hid her. Thus, sending the merry band on a sidetracked quest to find her, leading to all kinds of the aforementioned tense sociological drama, i.e., should we continue looking for her or save our own asses, i.e.e., are the needs of the many more important than the needs of the few? And do we beat the tar out of the little tyke once we find her for causing us such trouble? As far as I'm concerned? There's no room for children in the zombie apocalypse. Maybe the producers think so too, by the looks of the ending.
3. When trying to figure out if said tyke is still alive, Rick and Shane bean the brains of a walker, then cut open his gut sack to see if he'd recently munched on eight year old girl flesh. Ridiculous! What on earth would they have found to distinguish her from anyone else? My Little Pony? Barbie? I wanted to bitch slap those two but hard.
4. And if I watch one more program in which any character starts in with the why-me-Lording to a battered statues of Jesus in a bombed out church, I'm going to hurl.
The good news is, the previews for the upcoming season look like we're finally going to get to the meat of something interesting: A convergence with other survivors, evidence that a centralized form of control still exists, Rick finding out about Shane and Lori's stepping out. Anything to take us from the hermetically sealed world of Survivor Zombie Style into a broader, truly sociological examination of the only thing that really matters in such a tale: how thin and fragile is that veil between so-called polite society, order, and justice, and total anarchy? And which works out best for the human race in the long run?
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Where's Haiku Monday? Over at
Rafe's. Guaranteed to be zombie free.